SPLIT ENDS

by Kim Clark

 

 

 

It's what that spring day did. It flirted with the promise of summer, played tricks with the temperature, tilted reality. I headed down to the sanity of the library, to its empty aisles and loaded shelves. Jonathan Bennett's Verandah People was at the top of my reading list. And there I was facing the Bs, my back to the Fs, already losing my focus.

As my eyes scanned the sections, another cerebral layer skipped to the divisions we construct in remembering our own histories: when I was a kid, before we moved to BC, after I had my own kids. My eyes still followed the order-Bansford, Barnett, Barrington, and I noticed most spines on this shelf were beige, white, a few blue or red. I remembered a book store that divided books by colour to achieve a yellow wall, a red wall. It was a visua-literary adventure, full of pleasure and surprisingly good finds.

Drawn by the eye, I reached for a bright touch of turquoise, pulled it out. The author's name was my own maiden name. I half-wished it was a mystery cousin, some insight into my vague family heritage. The book was a pleasant size, not too cumbersome, the worn cover still lovely, an abstract silhouette of a woman's neck and shoulder, pale peach, and the barely hidden outline of a face just turned away, tips of long hair grasped in her hand to be examined. The title read Split Ends. The author's first name was the same as mine.

I searched the back for more information. There was a photo. It could have been a younger me but with shorter hair than I have ever worn. "Well researched, quietly compelling, sharply observant" was a quote from the Winnipeg Free Press. Another said "A story about coming of age in the heart of the Canadian Prairies and the exquisite bonds" . . . a bend in the cover obliterated the rest.

I flipped to the bio for clues. She was born in my hometown of six thousand people. I thought, just for a moment, that someone had stolen my story but realized, of course, I had no story to tell. She had graduated from the University of Manitoba and spent years up north in the Pas and Flin Flon, reveling in the natural and the north. Well, that was definitely nothing like me. There had to be a rational explanation.

Sinking onto a three-wheeled-step stool, I moved into the chapters, flipping, reading snippets, searching simultaneously to connect and refute.

"Five minutes to closing," I heard someone say at the end of the aisle. The air was heavy, still, expectant.

I mentally snatched landmarks and descriptions randomly from the page and the scenes constructed were the history of my memories, impossible for anyone else to display with such intimate clarity. This author spoke with the experience of comfortable familiarity about the details of a life that had been mine.

In Chapter One there was prairie winter, tongue touched to a frozen doorknob, any kid's anonymous tongue but with striped mittens knitted by my grandmother. Then on through an anxious scene of blizzard driving, wipers pounding against mesmerized front seat muffle moving endlessly into the white streaked tunnel of night outside Winnipeg. In Chapters Three and Four she wrote of fishing in frigid lakes for striped perch and heftier pickerel. There was the naïve joy and satisfaction of bait fishing; hauling up the tiny four-pointed nets bulging with the flash of a hundred sleek minnows, two hundred hook-target eyes heading for the family freezer. I could hear the crunching demolition as we marched over thousands of resigned fishflies drifting across the road, only a few left to flutter in your face or hang in precarious clumps on the street lights downtown. The clincher for me was an episode of getting a hook caught in my sunburned ear. Yes, it was my ear. And my freezer. And my crunching feet. I claimed them for my own.

But in Chapter Eight we shared nothing I recognized. Later in the book came strangers and a hint of despair. The split must be in the chapters between.

Now I have always been curious about the choices rejected, the paths not taken and the events and repercussions left in the wake of our small existence - the split ends discarded while one hair continues to grow only to split off again. I half expected the book to disappear into the too-warm library air as I heard the voice again, "The library is closing." Clutching the book I approached the front counter.

"Have you read this?" I asked, holding out the turquoise book to the librarian, half hoping for recognition. But she was ready to go home. She took my card without seeing me.

"Yes. There are others, as well. But we really have to close."

"I think this is me . . .was me . .It could have been. . .my life."

"Maybe mine too," she laughed. It was a flip answer, refusal to engage, while the clock was running.

I was too confused to explain. I felt anchorless. I wanted the other books. I had to get some air.

"I'm sorry. We really do have to close. Enjoy that one though," she said as she ushered me out the door. A low-sun cool made me shiver as she continued, "It's the last she wrote before she died. She was only thirty-one."

© Kim Clark, 2007
All Rights Reserved


 

 

BIO: Kim Clark most often writes from the heart of Western Canada's Sunshine Coast. Disease and desire, mothering and the mundane propel her ongoing journey between poetry and prose. Kim's work can be found in The Malahat Review, Portal, Ascent Aspirations, Poor Mojo's Almanac(k), Flash Shot, Wheelhouse, and upcoming in Chronically Canadian. Kim has been a winner in seven Capilano College, Cecilia Lamont, Wordstorm and Sechelt Library contests.

 

 

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