OF SEA AND AIR

by Donna Quattrone


 

 

A thousand stars fill the bowl of the sky, but not a single soul can be found on the beach. The islanders, who know the ways of water and wave, who daily breathe in brine and the austere beauty of the sea, have long been tucked into their beds. The tourists have all staggered back to room or cottage as well, salt covered and slightly drunk on rum punch and sea air.

It is then that the mermaid winds her way to the beach, where she haunts the tide pools, wet-limbed, scales glistening. The world is quiet as she props up her head, one hand tucked under her chin while the other traces figures in the sand; winged creatures, all. The drawings are intricate, detailed with fine lines and passion and longing. They are worthy of display in the finest museums, but they will, of course, be washed away by the tide before morning. Still, the mermaid comes back to the shore again and again and every night she sketches under the stars. By day she looks to the sky and dreams.

***


Greta did not believe in miracles, but she did believe in myth. Like every fisherman's wife, she knew all about sea lore and superstition, manatees and mysteries, griffins and gargoyles and banshees. She'd heard the tales, read the fat, dust-covered books that were piled on her shelves. Greta knew about charms too, and bargains with the gods, and prayer, but none of those were worth much after the sea had swallowed her husband. She was left with a closet full of woolen knotwork sweaters and a thoroughly broken heart.

And so she walked the shoreline daily, talking to ghosts and gathering stone and shell, bone and feather and brightly colored glass. Eventually Greta took to making small sculptures from her sea-found objects. It served to pass the time and supplement the small income from her husband's pension when she sold her creations to the stores where all the tourists shopped. Greta's days were cut from a simple pattern of ocean songs and solitude. Her nights were mostly quiet.

Everything changed when Greta discovered the mermaid lounging in the midnight dark, right beyond her own dune-covered backyard. She watched from the window while myth solidified and lingered, and on that night the widow remembered magic. She barely slept and went down to the beach while the sky was still bruised with purple. When she came upon the drawings in the sand, Greta remembered all about charms as well. In a single instant, she decided to make one more bargain with the gods.

Each morning, along with the usual ephemera, Greta collected the mermaid scales left littered upon the beach. As the days passed, the pile of necessary objects grew. She shaped the scales into a gown that echoed the design of her wedding dress, though this garment was sequined with unearthly blues and greens, trimmed with sea glass and heavy shells. Greta also took her salvaged feathers and twisted and glued and twined until her fingers bled. At night she fell into bed exhausted. She was rarely awake long enough to spy upon the mermaid, but Greta felt the kinship of longing deep in her bones, and so she dreamed of love and flight and myths that had gone before.

Finally the day came when Greta's work was complete. She tidied up the cottage and spent one long afternoon rocking on the porch in the sun, her wedding photo clutched tightly to her chest. If anyone were near, they might have heard her chanting softly as twilight fell in crimson and violet streaks across the sky. Greta dozed through most of the evening, and shortly after the clock chimed twelve times, she carefully smoothed on the dress of scales and arranged a wreath of flowers atop her head. Then she gathered up the bundle that was waiting by the door.

The widow walked cautiously in the moonlight, loathe to further alarm the legendary creature that had curled into a ball at the sound of her approach. The mermaid made a small cry when she first felt the widow's touch. Greta gently slid the wings she had crafted over the mermaid's shoulders. She tied the bindings just above the elbow and there again at the wrists. The mermaid stared at the scale-sheathed apparition who had swathed her in softness, and froze when the woman captured both of her hands and raised them high above her head. Shards of light bloomed around their entwined fingers. When Greta finally stepped away, the creature's arms fell with a whoosh to her side. Recognition gleamed in the mermaid's eyes and the women shared a long moment of silent triumph.

And then Greta began her walk into the sea.

She called out her husband's name as the waves crashed over her. By the time she was drenched to her waist, she believed she could hear the whisper of a response. She pulled the flowers from her hair and scattered them across the water, smiling. On the beach there was chaos. Bone snapped and sinews shriveled and stray feathers swirled upon the sand. Transformation was neither gentle nor pain free. The last thing that Greta was aware of before she slid beneath the waves was a loud cawing and a strong updraft of wind.

The widow did not know that the single note she'd left behind had gone unnoticed. A ragged piece of parchment fluttered along the ground. "Fly," it admonished in ink crusted script, "But do not fly too close to the sun."

© Donna Quattrone, 2009
All Rights Reserved


 

 

BIO: Donna Quattrone is a long-haired geek girl with several degrees in language and literature. She has escaped academia, but still remains language-haunted and largely influenced by myth and legend, folklore, fairy tales and the fantastic. She is a native of Bucks County, PA, where she honors the local creative tradition by playing with pencils and paint, wood things and words. Her stories and poems can be found in "Cabinet des Fees," "Mytholog" and "Les Bonne Fees."

 

 

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